What’s up Steve,
I am 24 years old. Ever since I was old enough to remember my Mom has had a
crazy theory. She believes that Billy Idol is actually Jim Morrison. Pretty
nuts right? She does have some interesting points, but she also lived
through the 60’s and I think LSD is doing some of the talking. Anyway I
was wondering if you could confirm her theory. Bye the way I saw you guys
last week in St. Louis, absolutely the greatest rock band on earth. Please
come back to St. Louis.
Thanks,
Tim
Tim
Believe it or not, your mother is absolutely right.
In the late 60’s, as the COINTELPRO unit of the FBI was methodically (and illegally) breaking the back of the Black Panthers and many other radical groups, J. Edgar Hoover saw the need to target rock n’ roll musicians as well. Their cultural impact and influence on America’s teens was a grave concern to THE MAN, and once The Doors showed up talking about patricide and Oedipal impulses, while wearing leather pants no less, it was decided that enough was enough.
Initially, the Feds toyed with the idea of simply killing the stars they saw as the most threatening, but at some point, Hoover’s boys came upon a far more insidious and devastatingly effective strategy. They decided to neutralize the messages of these visionaries by simply faking their deaths, blackmailing or buying off the now “deceased” stars, and then putting them back to work, complete with a brand new message and identity, for the US Government. LBJ initially green-lighted the project – code name Crock Star – late in his presidency, Tricky Dick’s administration enthusiastically embraced and perfected it, and Gerald Ford saw the program through to its conclusion.
So, Jim Morrison is pushing the cultural envelope a little too much? Nothing a mysterious death in Paris, a lousy English accent, a sneer and some peroxide can’t fix. Billy Idol (Jim) certainly seemed like a real punk at first, but that image soon gave way to videos and songs that were custom built for the masses to ingest.
If lyrics like
“Come on come on come on come on now touch me babe,
Can’t you see that I am not afraid?”
gave teenagers the wrong ideas about premarital sex, then maybe lyrics like
“Oh, oh, oh dancing with myself
Oh, oh, oh dancing with myself
We’ll there’s nothing to lose
And there’s nothing to prove
And I’m dancing with myself”
would help to keep the number of STDs and teen pregnancies in check.
Amazing, isn’t it? So simple, and yet so effective.
You’ll also be interested to know that most of the advances in plastic surgery during the so called “Me Decade” were tested and perfected on what the Feds took to calling the “(White) House Band”.
Anyway, the program worked so well that within a decade or so they discontinued it. In order to ensure long term success, a top secret deal was then cut between Gerald Ford, the Brothers Gibb, and Jeff Lynne to guarantee that rebellion and anarchy would no longer be themes of the pop landscape.
Janis (”take another little piece of my heart now, baby”) Joplin reemerged years later as that (”gonna harden my heart, gonna swallow my tears”) chick from Quarterflash. It took her a while to figure out how to play the saxaphone, obviously, but Janis was a hard worker and the results spoke for themselves.
Jimi (”Are You Experienced?”) Hendrix was “reborn” as Morris (“What Time is it?”) Day.
The list goes on and on.
None of these “reissued” rock stars were allowed to ascend to their previous artistic or commercial heights of course. They were all given a moment or two in the sun complete with more “lulling” messages, and then ushered off to various levels of obscurity, while the legends of their true identities continued to grow larger with each passing year.
Evil? Yes. Impressive? Absolutely.
Don’t mess with THE MAN.
SG